On a cool November evening in Clarence Town, Long Island the Community Center transformed into something rare and luminous, a sanctuary for emerging Bahamian creativity. Bayla Designs and Adonis Bahamas brought to life the second Long Island edition of “Get There Together,” an artist exhibition and cocktail reception celebrating local talent that has too often existed in quiet corners and private notebooks.
Curated by Nikita Turnquest with support from Assistant Curator Molly Darville, the evening assembled a dynamic roster of painters, photographers, textile designers, and mixed-media storytellers. From vivid portraits to nature-inspired crafts, each artist’s work felt like a pulse, it felt like proof that Long Island’s creative spirit is not only alive, but rising.
For artist Louise Watkins, the showcase was a turning point.
“I felt very inspired, and it makes me feel really hopeful about the future of art in Long Island… Events like this help people feel more comfortable stepping out of their comfort zone and expressing themselves.”
There was a shared sense of rediscovery, that art belongs here just as much as it does in any capital gallery or major exhibition hall. Many attendees spoke not only of admiration, but relief. The island, known for its serene landscapes and family-rooted traditions, is expanding its definition of what culture can look like.
Garth Knowles expressed a vulnerability common among artists in remote communities:
“It feels a bit lonely… but what I do see is helping. I’d like to see more art exhibitions and community-guided projects push people to get out of their secluded spots.”
And that hope, that others will join, participate, and create felt like the glue holding the night together. Between cocktails, soft laughter, and wide-eyed appreciation, Long Islanders stood proudly before their own talent.
For visitor Paige Adderley-Strachan, the excitement was immediate:
“I feel proud. I feel excited to explore the art and the artists. I see things that I like already.”
“Get There Together” was not only an exhibition but it was a declaration. Long Island’s artists are here, ready, and finally being seen. If this event proved anything, it’s that Bahamian creativity is not centralized. It grows everywhere, especially in places where people once thought there was “not much happening.”
The future of Long Island art looks bright. And this was just the beginning.
